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I just re-posted it over at Truly Disturbing for a special Retro Review. Nothing speaks of this Holiday more than the anti-drug christian killer turkey head film. The original unedited review is here. And by edited I mean I changed one word and removed a line.
Happy Thanksgiving.
Thursday, November 22, 2012
Slaughter, Stuff, and Eat
Labels:
Holiday Horror,
Irrelevant,
TDHorror Retro Review
Thursday, November 15, 2012
The Vampire Lovers (1970)
After being called away to a family emergency The Countess imposes her beautiful daughter Marcilla on the General. Warmly receptive the General takes Marcilla into his home where she becomes very close with his daughter Laura. As the two grower closer though Laura becomes infected with an illness that causes her to have unbecoming nightmares and drains the strength out of her daily. When Laura's sickness peaks and she's at her worse all she can ask for is Marcilla, but when Laura fatally passes one night and the General looks to Marcilla she has disappeared. With lingering rumors of a vampire that has killed nearby villagers the General makes it his mission to stop her with the help of an experienced vampire hunter. Meanwhile Marcilla has moved onto a new house with the new name Carmilla and a new love interest in young and pretty Emma, who's beginning to grow pale and plagued nightly with bad dreams. As Carmilla's seductive prowl extends it's way over the Morton household the General rushes to find answers and kill the vampire Micalla.
Sheridan Le Fanu 'Carmilla' has enticed more of my interest in vampires than anything as of recent. Another adaption, Et Mourir De Plasir, is my current icon and recent cinematographic addiction. The Vampire Lovers in truth fell a bit short for me as the film faltered and slowed during the middle. The cover itself is of an exploitation variety offering the word blood-nymphs as it description. And like ninety percent of the exploitation film posters it's a lie as there's no sex, little blood, and neither of them occurring together. The little bit of nudity used is tasteful and not like those from the late seventies tits and gore collection, despite having similar plots. It doesn't expel cheesy or over the top moments, but makes up for it in effectively capturing the seductive horror to the female vampire plot. Not that it necessarily scares but is more of a case of acknowledgement than anything else.
Ingrid Pitt is of course the lovely, beautiful and terrifying Carmilla or Marcilla, depending on who's house she's lurking in. She's memorizing in a role she seems to understand every facet of, as playing the alluring vampire isn't foreign to her. There's an interesting complexity to the Micalla character as the bits of exposure outside of preying on young woman show an age that most actors and writers fail to grasp in the vampire story. Peter Cushing is lovable because he's simply Peter Cushing. The role of the general is simplistic yet kind and Cushing likely didn't have to do much for the part, but he's likable in his small role that almost serves as a cameo more than anything. The two young women Carmilla sets her interests on are too naive to be mentioned beyond that, Emma especially. For whatever reason I'm failing to locate an actor name or character name for the vampire on the horse. That being said all I really wanted to address of him was how ridiculous of a character he is, with his corny wicked smile being the lead issue. But, as that being said, it's in appropriate Hammer Horror fashion.
The film flowed in and out of unique photography moments but some of the more noted use of cinematography is in the opening scene that utilize a foggy dark set to display a beautiful lavender sheet for the vampire. The other is the nightmare sequence where the director and DP turn the frame black and white and doesn't allow the creature to come on screen. The Vampire Lovers is among a lot of the better Hammer Horror films, but not as famous as some of their other vampire classics, such as Dracula and Pitt's Countess Dracula. It's also a good 'Carmilla' adaption but not the best as I still give that to Roger Vadim's previously mentioned film. Still good enough to create a small film franchise and following I'd recommend The Vampire Lovers to Hammer Horror fans, as a watch for one of the genre's most prominent females of horror Ingrid Pitt, or for those who like the lesbian vampire sub-genre, mind you.
Sheridan Le Fanu 'Carmilla' has enticed more of my interest in vampires than anything as of recent. Another adaption, Et Mourir De Plasir, is my current icon and recent cinematographic addiction. The Vampire Lovers in truth fell a bit short for me as the film faltered and slowed during the middle. The cover itself is of an exploitation variety offering the word blood-nymphs as it description. And like ninety percent of the exploitation film posters it's a lie as there's no sex, little blood, and neither of them occurring together. The little bit of nudity used is tasteful and not like those from the late seventies tits and gore collection, despite having similar plots. It doesn't expel cheesy or over the top moments, but makes up for it in effectively capturing the seductive horror to the female vampire plot. Not that it necessarily scares but is more of a case of acknowledgement than anything else.
Ingrid Pitt is of course the lovely, beautiful and terrifying Carmilla or Marcilla, depending on who's house she's lurking in. She's memorizing in a role she seems to understand every facet of, as playing the alluring vampire isn't foreign to her. There's an interesting complexity to the Micalla character as the bits of exposure outside of preying on young woman show an age that most actors and writers fail to grasp in the vampire story. Peter Cushing is lovable because he's simply Peter Cushing. The role of the general is simplistic yet kind and Cushing likely didn't have to do much for the part, but he's likable in his small role that almost serves as a cameo more than anything. The two young women Carmilla sets her interests on are too naive to be mentioned beyond that, Emma especially. For whatever reason I'm failing to locate an actor name or character name for the vampire on the horse. That being said all I really wanted to address of him was how ridiculous of a character he is, with his corny wicked smile being the lead issue. But, as that being said, it's in appropriate Hammer Horror fashion.
The film flowed in and out of unique photography moments but some of the more noted use of cinematography is in the opening scene that utilize a foggy dark set to display a beautiful lavender sheet for the vampire. The other is the nightmare sequence where the director and DP turn the frame black and white and doesn't allow the creature to come on screen. The Vampire Lovers is among a lot of the better Hammer Horror films, but not as famous as some of their other vampire classics, such as Dracula and Pitt's Countess Dracula. It's also a good 'Carmilla' adaption but not the best as I still give that to Roger Vadim's previously mentioned film. Still good enough to create a small film franchise and following I'd recommend The Vampire Lovers to Hammer Horror fans, as a watch for one of the genre's most prominent females of horror Ingrid Pitt, or for those who like the lesbian vampire sub-genre, mind you.
Sunday, November 11, 2012
Horror Short: Vincent (1982)
Directed by Tim Burton
Narrated by Vincent Price
Director of Photography Victor Abdalov
Vincent Malloy isn't like other kids, he stays inside, reads Edgar Alan Poe, and slips into macabre fantasies where he envisions himself as Vincent Price. The only thing stopping Vincent from getting lost in his daydream is his mother, who dislikes her son's strange behavior. Vincent is very much Dr. Seuss meets Tim Burton in a poetic and epic short film. There's so much homage to Vincent Price's career in young Vincent's play story of Price as a mad scientist who creates a demon dog, losses his wife, and slips into a bit of insanity that only Price could master in such films. And the subplot of Vincent being different than other kids is reference to Burton's childhood as he grew up reading Edgar Alan Poe and watching cartoons.
Lately Burton has been receiving the hate for his recent films, as Alice in Wonderland was awful (in my opinion) and Dark Shadows equally lacked the charm of his early works. Everything is still Burton-esque (i.e. crooked trees, weird plot) but doesn't have the black warped heart of his prominent films. Vincent has revived my faith in the director though as something this fantastic has to be hidden within him somewhere still. If I was to compose a list of my favorite Burton films The Nightmare Before Christmas would of course be first as it is his best work, but Vincent is a close second. As with Edward Scissorhands it only glimpses into the possibilities of collaboration between Price and Burton. As it is though Vincent is a marvelous, beautiful and twisted piece that is Burton's signature. A definite watch for fans of Burton's older work.
Vincent is available to watch on The Nightmare Before Christmas DVD and also in a less that decent quality upload on youtube. Again if you have a short film you'd like me to view you may contact me on Twitter or at my email bleedingdead22@yahoo.com.
Narrated by Vincent Price
Director of Photography Victor Abdalov
Vincent Malloy isn't like other kids, he stays inside, reads Edgar Alan Poe, and slips into macabre fantasies where he envisions himself as Vincent Price. The only thing stopping Vincent from getting lost in his daydream is his mother, who dislikes her son's strange behavior. Vincent is very much Dr. Seuss meets Tim Burton in a poetic and epic short film. There's so much homage to Vincent Price's career in young Vincent's play story of Price as a mad scientist who creates a demon dog, losses his wife, and slips into a bit of insanity that only Price could master in such films. And the subplot of Vincent being different than other kids is reference to Burton's childhood as he grew up reading Edgar Alan Poe and watching cartoons.
Lately Burton has been receiving the hate for his recent films, as Alice in Wonderland was awful (in my opinion) and Dark Shadows equally lacked the charm of his early works. Everything is still Burton-esque (i.e. crooked trees, weird plot) but doesn't have the black warped heart of his prominent films. Vincent has revived my faith in the director though as something this fantastic has to be hidden within him somewhere still. If I was to compose a list of my favorite Burton films The Nightmare Before Christmas would of course be first as it is his best work, but Vincent is a close second. As with Edward Scissorhands it only glimpses into the possibilities of collaboration between Price and Burton. As it is though Vincent is a marvelous, beautiful and twisted piece that is Burton's signature. A definite watch for fans of Burton's older work.
Vincent is available to watch on The Nightmare Before Christmas DVD and also in a less that decent quality upload on youtube. Again if you have a short film you'd like me to view you may contact me on Twitter or at my email bleedingdead22@yahoo.com.
Labels:
animated,
Black and White,
Black Comedy,
Horror Shorts,
Tim Burton
Tuesday, November 6, 2012
Real Life Horror: Car Accidents
As the day may be I got in my first car accident today. Before I continue further no one was hurt, the other passenger and I are okay. Unfortunately though it was my fault. I was distracted while driving and ran a red light on accident. I was paying attention to the road but my mind was in other places, so luckily I braked which didn't cause much worse to happen. I did hit his car though, damaging his wheel, but essentially wrecking the front of mine. At the most I'm upset and angry at myself for the happening. He was somewhat helpful but seemed more irked that I hit him than anything. Which he has a right too be.
There's not much reason to this post I suppose outside that its to remind people that accidents happen and to drive safely. I also was going to post a review this Thursday but it wont be up until next week with all this stuff happening. But as I said the main reason of this is to remind people that real life horror happens everyday, luckily mine didn't end a lot worse than it could have.
Just a reminder to be safe.
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